The founders wanted to create a modern circus without animals, but instead with elements of rock'n'roll, popular theatre and satire. The company has an ongoing social justice agenda and have generally been open about supporting humanitarian causes. Over the years this has included women's rights, land rights for indigenous Australians and strong feelings about the plight of asylum seekers.
The most significant developmental elements in the early years of Circus Oz were the 32 week 1979 season at the Last Laugh Theatre Restaurant in Melbourne, the Chinese acrobatic master classes and the groupʼs relations with The Flying Fruit Fly Circus. Circus Oz has performed in, among many other international tours, New York City, London and Jerusalem as part of its international touring.
One of the very first 'new' or 'contemporary' circuses without animals, Circus Oz continues to make a show with only a dozen multi-skilled performers who all perform the entire show, doing 'a bit of everything', from acrobatics and clowning to music and aerial work. The skills are high-level circus, but the show is usually comic and character-driven. The cast is a diverse mix of body shapes and ages, with an equal number of men and women. Their style is generally cheeky, anarchic and subversive, with enough strong women and graceful men. The company have an ongoing social justice agenda and have generally been open about supporting humanist causes. Over the years this has included Women's rights, Land Rights for indigenous Australians and strong opposition to the mandatory indefinite detention of asylum seekers. Circus Oz has performed in twenty six countries across five continents including 4 seasons on 42nd Street in New York, a number of seasons at Queen Elizabeth and Royal Festival Halls in London, a refugee camp in the West Bank, indigenous communities in the Australian desert and a glass opera house in the Brazilian rainforest. Over two million people have seen the company perform, and the show has been translated and performed in more than a dozen languages – including Hindi, Catalan and Danish. The troupe has broken box office records at the Edinburgh Fringe Festival, and represented Australia at many international festivals.
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